Fields of Fish
Collaboration was a crucial tactic in creating the rice-fish "Fields of Fish" exhibit unit, which drew approximately 100 members of the public per hour over a 3-day period. (Organisers felt that using a large UK visitor attraction - namely, Eden - enabled them to reach sectors of the public that would not have otherwise heard about their work, as well as to garner increased media coverage.) To cite an example of this collaborative strategy, as part of the process of creating the exhibition, connections with the British Bangladeshi community were explored through various presentations and meetings.
A variety of communication tools and techniques were used as part of the Fields of Fish "pod", which contained interactive exhibits including a computer game, "snakes and ladders", quizzes, and decorations like a cast net, fish traps, models of exotic fruit, children's books from Bangladesh, musical instruments, and rice sorting trays. (One purpose of these strategies was to engage children who were attending the exhibition). A video ran on a loop in an effort to help people learn about life in Bangladesh and how successfully people can adapt to harsh environmental conditions. In addition, the drama "Fishless" was performed as part of this weekend exhibition; it was created by the community theatre programme at the MacRobert Arts Centre.
Another part of the exhibit involved posters, which were created through the participation of children. A collaboration with Ullswater College led to the creation of school curricula exploring the subject of rice and fish for pupils aged 9-11. The children were given a resource pack which included a written presentation and a series of internet links; they were asked to draw on this information to develop posters that would be displayed at Eden Live. The winning example was created by a boy who presented the issues as though he were a farmer making decisions. During the exhibit, 15 teachers signed up to receive the information pack for use in their own schools, and to pass to colleagues.
In order to improve the potential impact of the exhibit, organisers felt people should have something to take away to ensure that they would keep connected with
the programme. Eden does not encourage leafleting on the basis that many of them are discarded - wasting resources and creating a litter problem. So, organisers opted to design small business cards with the programme (AFGRP)'s website URL on one side and short informational messages on the other. These were printed in Bangladesh.
As part of the exhibit, an information point was created as the focus to discuss rice-based livelihoods. Also, regular visitors to Eden and those wishing to support its work sign up to become "Friends of Eden". These regular visitors can take part in a seminar programme, one session of which featured a talk about NRM-related work in Bangladesh. It was decided that it might be useful to provide people with a meal consisting of rice and fish to accompany the discussion; tilapia was selected as the centrepiece of the meal, in part because it was locally available from a small producer in Honiton, Devon.
Natural Resource Management, Children.
AFGRP (a programme of DFID managed by the University of Stirling), MacRobert Arts Centre, Ullswater College.
Email from Anton Immink to The Communication Initiative on July 27 2007; and "Fields of Fish: People, Fish, Rice", Summer 2004, sent by Anton Immink to The Communication Initiative on July 30 2007.
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