Development action with informed and engaged societies
After nearly 28 years, The Communication Initiative (The CI) Global is entering a new chapter. Following a period of transition, the global website has been transferred to the University of the Witwatersrand (Wits) in South Africa, where it will be administered by the Social and Behaviour Change Communication Division. Wits' commitment to social change and justice makes it a trusted steward for The CI's legacy and future.
 
Co-founder Victoria Martin is pleased to see this work continue under Wits' leadership. Victoria knows that co-founder Warren Feek (1953–2024) would have felt deep pride in The CI Global's Africa-led direction.
 
We honour the team and partners who sustained The CI for decades. Meanwhile, La Iniciativa de Comunicación (CILA) continues independently at cila.comminitcila.com and is linked with The CI Global site.
Time to read
1 minute
Read so far

Puppet Theatre to Explore Voter Awareness

0 comments
In 2000, Small World Theatre (SWT) collaborated with Tanzanian performers to find out what prevents people, particularly women in economically poor communities, from participating in elections by voting and standing as candidates.
Communication Strategies

The project used drama - participatory theatre - as a research tool. The main focus was on uncovering attitudes and constraints to women's participation in the democratic process in the light of the upcoming (October 2000) multi-party election (the first multiparty election was in 1995). SWT collaborated with Tanzanian performers from local street theatre groups using participaory theatre and research methodology in low-income communities to gather information, process it through drama techniques, and replay it to the communities in performances aiming to stimulate further discussion to feed into the process.

In addition to drumming and singing, the performance featured characters created by the community through the research process; these characters told stories that the people were thought to be able to relate to - such that they could be entertained while also learning crucial information and being stimulated to take action. For instance, a larger-than-life puppet figure, "Bwana Democracia", chaired "the proceedings" and provided factual information such as who is eligible, how and where to register, and so on. As the large puppet head was revealed, the actors arms in the puppet's sleeves started to animate and his voice booms out, those of voting age heard how Mr Democracy is weak and has come to find out why the people of Kunduchi and Mbagala are not interested in voting, since he is only strong when people participate. Life-sized puppets of women were used in a second stage of the research. They functioned as intermediaries through which groups of people from the communities collaboratively created narrative and discussed the realities of women's lives. This formed the basis from which to build performances which actors replayed to larger audiences in those communities.

Development Issues

Political Development, Democracy, Women, Rights.

Key Points

According to SWT, audiences joined in, argued with the characters and each other, and explored the nature of democracy. Audience members expressed sentiments like "this is a new thing for us, no one came to find out what we think before, I hope this will be the future."

A video (pal or Mini DV format) of this work is now available; please see contact information below to request further details.

Partners

British Council Tanzania funded the project which was also partnered by Tanzanian Gender Network Programme (TGNP) and the Tanzanian Women's Media Association (TAMWA). Members of Small World Theatre wer part of the training team. The performers came from Simba, Lighters, Hesa and Kisamu Bantu theatre groups.

Sources

Creative Exchange Bulletin, August 31 2000; email from Ann Shrosbee to The Communication Initiative; and Small World Theatre website.